[36] A section of the craft called the "pod room" was designed to imply the alien creatures manning it had collected specimens of different alien species from around the universe for a zoological expedition. The test implicates Sander, Edvard, Adam, and Colin, who have no visible fillings, to possibly be the alien organism. Lars orders Matias to start the helicopter and give chase. by John W. Campbell. The Thing Prequel Had Terrible CGI For No Reason (Discussing Effects in Movies) - YouTube. [72], The film was made into a maze at both Universal Studios Hollywood's and Universal Orlando Resort's 2011 Halloween Horror Nights events, having the subtitle Assimilation at Hollywood's version. [41] The film's computer-generated imagery was created by Image Engine, the effects house who worked on Neil Blomkamp's 2009 film District 9. 15. [25] In April 2010, it was revealed that Scott Frank had been hired to work uncredited on new dialogue for the film. Inspired by her earlier discovery, Kate proposes a simple test: everyone must open their mouths to check for dental fillings. Needing to start all over again, he asked his agent to see if there was a The Thing project in development, since Alien and The Thing are his favorite films. It is a direct prequel to the 1982 film of the same name by John Carpenter, which was an adaptation of the 1938 novella Who Goes There? The team searches for the creature, finding Lars's dog dead. It's a great film. [70], AllMusic rated the album 3.5/5 saying, "Composer Marco Beltrami's appropriately tense and brooding score for director Matthijs van Heijningen, Jr.'s 2011 [prequel to] The Thing dutifully echoes Ennio Morricone's stark score for the original version, which in its own way echoed the soundtrack work of that film's director, John Carpenter. [19] Upon finding John Carpenter's 1982 film The Thing, the two convinced Universal to create a prequel instead of a remake, as they felt that remaking Carpenter's film would be like "paint(ing) a moustache on the Mona Lisa". [39] Matthijs van Heijningen preferred to use practical effects over computer imagery, as he believed actors give better performances when they have something physical to react to. During takeoff, Kate discovers dental fillings in a bloodied shower. Kate burns the Carter-Thing which emits an alien scream, and she seeks warmth in a nearby snowcat. The song that is played in The Thing Prequel film coming out October 2011. The alien does not assimilate inorganic or metallic material, and so people with fillings are cleared. While it was initially only intended to be shown as a silhouette, the director liked their designs and encouraged them to fully create the creature, which was realised by creating a monster suit that Tom Woodruff wore. It's not an entirely lost cause, but it is a needless one. The group burns the alien, killing it. [4] Its box office collections were called "an outright disappointment" by Box Office Mojo, who goes on to say "[the film] was naturally at a disadvantage: a vague "thing" doesn't give prospective audiences much to latch on to. [30] Mary Elizabeth Winstead insisted that the film would not feature any romantic or sexual elements with her character, as it would be inappropriate considering the tone of the film. Posts about the thing prequel written by dgeer80. The Thing 2011 : Trailer of the Remake of John Carpenter's The Thing. "[21], In early 2009, Variety reported the launch of a project to film a prequel—possibly following MacReady's brother during the events leading up to the opening moments of the 1982 film—with Matthijs van Heijningen Jr. as director and Ronald D. Moore as writer. Lars burns the Juliette-Thing with a flamethrower. It tells the story of a team of Norwegian and American scientists who discover a parasitic alien buried deep in the ice of Antarctica, realizing too late that it is still alive. [68] As of 2013, the film earned an additional $10,436,405 through Blu-ray and DVD sales. The three-issue tale was written by Steve Niles, drawn by Patric Reynolds and colored by Dave Stewart. [56] Christopher Orr of The Atlantic wrote that the narrative choices open to a prequel "exist on a spectrum from the unsurprising to the unfaithful", but van Heijningen "has managed this balancing act about as well as could be hoped" and although the line between homage and apery is a fine one, "in our age of steady knockoffs, retreads, and loosely branded money grabs, The Thing stands out as a competent entertainment, capably executed if not particularly inspired. The creation of Gillis's all-practical-effects independent horror film Harbinger Down was partially in response to this. "[58], Kathleen Murphy of MSN Movies rated it two-and-a-half out of five stars, calling it "a subpar slasher movie tricked out with tired 'Ten Little Indians' tropes and rip-offs from both Carpenter and the Christian Nyby-Howard Hawks' 1951 version of the chilling tale that started it all, John W. Campbell Jr.'s Who Goes There?". The helicopter spins out of control, crashing in the mountains. In 1982, paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by scientists Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to join a Norwegian scientific team that has stumbled across a crashed extraterrestrial spaceship buried beneath the ice of Antarctica. The Thing is a horror film from 2011, starring Mary Elizabeth Winstead, Joel Edgerton, Adewale Akinnuoye-Agbaje, Kristofer Hivju, and Ulrich Thomsen. The team resolve to quarantine themselves until the threat is eliminated. They fly to Thule in an American helicopter operated by Sam Carter, a pilot, Derek Jameson, co-pilot, and Griggs, a crewman. [29] Computer Graphics were used to digitally create extensions on some of the practical animatronic effects, as well as for digital matte paintings and set extensions. [53], Michael Phillips of the Chicago Tribune gave the film a rating of 3 out of 4, saying "While I wish van Heijningen's Thing weren't quite so in lust with the '82 model, it works because it respects that basic premise; and it exhibits a little patience, doling out its ickiest, nastiest moments in ways that make them stick". [61] In Patrick Sauriol of Coming Attractions' review, he states, "Stack it up against John Carpenter's version and it looks less shiny, but let's face it, if you’re that kind of Thing fan you’re going to go see the new movie anyway. 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