It can also be regarded as the peak years of the Japanese New Wave movement, which began in the 1950s and continued through the early 1970s. I recently read a book in my university about the Japanese New New Wave (90s directors such as Iwai, Miike, Kitano, Sabu, Koreeda..) and how they saved the Japanese film industry. In 1960, 547 Japanese films were produced, and this was the peak of glory for Japanese cinema as an industry. His film , Rashomon, was first to open up Western film markets for Japanese films, leading to the popularity of many Japanese filmmakers. Both figures have been on the upswing since 2000 (figs. Japanese occupation. He most frequently collaborated with actor Toshiro Mifune with whom he has made 15 films. The total value added to the Japanese economy in 2014 from film and television industry is approximately 2,369.0 billion Yen for the direct impact, and 5,577.8 billion Yen for the total contribution including indirect/induced impact. Movie attendance increased 4.8% to surpass 170 million for the first time since 1983 and box office revenues were up 3.8% to 210.9 billion yen (Fig. Like other major innovations such as the automobile, electricity, chemicals and the airplane, cinema emerged in most Western countries at the same time. After its genesis during the Dutch colonial era, the Indonesian film industry was coopted by the Japanese occupiers during the Second World War as a propaganda tool. Cinema was introduced in China in 1896 and the first Chinese film, Dingjun Mountain, was made in 1905.In the early decades the film industry was centered on Shanghai.The first sound film, Sing-Song Girl Red Peony, using the sound-on-disc technology, was made in 1931. There are striking parallels and some major differences in the development of ‘studio majors’ from the 1920s onwards. These days, Japan’s film industry is widely regarded as one of the best and most interesting in the world, and directors such as Akira Kurosawa, Kenji Mizoguchi, Yasujirô Ozu, Seijun Suzuki, Takashi Miike, Hideo Nakata, and Kiyoshi Kurosawa are now considered some of the most respected names in international cinema. However, production saw a rebound due to advances in technology such as special effects, better sound recording quality, and the beginning of color film use, all of which made movies more modern and appealing. Entered the Japanese film industry in 1936, following a brief stint as a painter. The early 1940’s were a tough time for the American film industry, especially after the attack on Pearl Harbor by the Japanese. The 1930s, considered the first "Golden Period" of Chinese cinema, saw the advent of the Leftist cinematic movement. Production in the Japanese film industry reached its quantitative peak in the 1960s, with 547 movies being produced. 1）. It seems, like every other industry, the Japanese film economy is based on golden periods of 10 or 15 years followed by 20 years or so of bad production. Although Japanese film production in Korea began in the early 1930s, total mobilization and consolidation of the Korean film industry under the Japanese would not begin until after Japan's full-scale invasion of China in 1937. The Japanese film industry entered a steady recovery phase in 2004. The Economic History of the International Film Industry. Japan offers the film student an alternative ‘studio history’ to that of Hollywood. The first thing the Japanese did was to halt all film production in Indonesia. But this turned out to be its highest point, and the .film industry then began a precipitous decline. A full 99 percent of these were program pictures, made by the six major studios and shown to viewers at the rate of about two per week. 2 and 3), Gerben Bakker, University of Essex Introduction. 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